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I've seen things like this before. There's some tiny nuance that the sax player is somehow not getting right. Although you and I can't hear what it is, it may be the very thing that will make the record a hit.
"Careless Whisper" received mainly positive reception upon its release. Music critic Alexis Petridis of The Guardian ranked the song number five of George Michael's 30 greatest songs, stating, "it’s a brilliant pop song regardless, and, in 'guilty feet have got no rhythm', it boasts one of the great once-heard-never-forgotten lyrics".
The record label Innervision was going to put out the Wexler version of "Careless Whisper" after the "Club Fantastic Megamix" as early as 1983. Song publisher Dick Leahy said that while he could not stop the release of the "Club Fantastic Megamix", he could stop the release of this single on the basis that as a publisher they "have the right to grant the first license of the recording of a tune of which he controls the copyright".
"When I was twelve, thirteen, I used to have to chaperone my sister, who was two years older, to an ice rink at Queensway in London. There was a girl there with long blond hair whose name was Jane.
: "I was on my way to DJ at the Bel Air when I wrote 'Careless Whisper'. I have always written on buses, trains and in cars. It always happens on journeys.
"Then he moved away and I continued writing it in my head. I wrote it totally in my head. I worked on it for about three months in my head."
Steve waited and then discovered that the solo wasn’t that easy to play in the written key, as his old Selmer Mark VI tenor didn’t have a top F# key. So, the engineer slowed the tape down so that Steve could record the solo a semitone lower than intended.
"When I was twelve, thirteen, I used to have to chaperone my sister, who was two years older, to an ice rink at Queensway in London," he explained. "There was a girl there with long blonde hair whose name was Jane.
So I went out with her for a couple of months but I didn't stop seeing Helen. I thought I was being smart – I had gone from being a total loser to being a two-timer. And I remember my sisters used to give me a hard time because they found out and they really liked the first girl. The whole idea of "Careless Whisper" was the first girl finding out about the second – which she never did. But I started another relationship with a girl called Alexis without finishing the one with Jane.
"Once the tape was put back to the normal speed, a 'unnatural' saxophone sound was created that sounded a bit like an Alto in the Paul Desmond vibe, but lacking a bit more depth and darkness to the sound.
Jazz musician Dan Forshaw later revealed that saxophonist Steve Gregory had got a call to re-record the song's sax solo, and he was the 11th saxophone player to record the solo as George wanted to get the sound he hoped for.
He was unable to do anything about the "Club Fantastic Megamix" because it was already released material. He said: "We knew how big that song could be, so it was necessary to upset a few people to stop it."[26] Towards the end of 1983, Michael was also committed to touring with Wham! to promote Fantastic, so according to him it would not have made sense to release "Careless Whisper" as a solo single in the middle of the tour, despite it being part of the setlist.[27]
"I was a fat boy in glasses and I had a big crush on her -though I didn't stand a chance. My sister used to go and do what she wanted when we got to the skating rink and I would spend the afternoon swooning over this girl Jane.
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Although George Michael co-wrote the song with his Wham! partner Andrew Ridgeley when they were just 17, it stands out as a much more mature and introspective piece than their earlier pop hits.